Fanefjord church/ Fanefjord kirke, Mønbo herred, Præstø amt.

Fanefjord kirke, stig bachmann nielsen, naturplan.dk

Fanefjord church is one of the most important cultural and historical churches in Denmark. It lies upon a hillside at the island of Møn with a beautiful view to the fjord, which gave it its name, Fanefjord. The waters of the fjord are a section of a sound called Grønsund. From the church is a view across the waters

to the island of Falster - and the large church can be seen far and away at the western part of Møn. The placement of the church at an unusual   distance from the villages must be due to that the original church was built on royal initiative. The parish itself lies over 2 km from the church like the vicarage in Vollerup.

Fanefjord

In the bay downside the church it is supposed that the war fleet of archbishop Absalon and king Valdemar  met in the 1160s before their attack on the Wends on the other side of the Baltic Sea. Valdemar built a castle tower by Fanefjord which was never proved archaeologically, but the castle site probably hides on the south side of the bay. Here was a small, but international herring market at that time. The original church served the king and the merchants before it served the local population

Fanefjord church is famous for its frescoes from the late 1400s which are the main work of the artist known as the Elmelunde-master. The large church with two naves was built in the second half of the 1200s as a successor of a royal church (probably a wooden church)  at the castle and the market place at Fanefjord.


Fanefjord church was inaugurated to Sct. Nicolaus. It has a longhouse with  a triangular eastern finish, a tower to the west and a porch to the north, all in monk bricks. The western section of the longhouse is the over 7 m high nave from an early Gothic church from ab. 1250-1300; the longwalls are squared by slender supporting columns. In the westernest bay to the north was until 1931 kept a 3,18 m high point arched window in each wall, there were only three windows in each wall, since the next westernest bay is dominated by the doors, of which the southern is bricked-up, the northern has a pointed arch. The western gable, which is hidden by the tower, has three point arched glares, the triumph arch is pointed and upon the east side of the wall are traces from an earlier choir, which like the nave seems to have had an original vault. In three of the nave's corners are small corner columns and upon the longwalls, similar to the outer bay division, are small lisens, which do not belong to the present vault.

Considering the big broadth of the nave it is probable that it was two-naved like the church in Stege. The present 2 x 4 cross vaults, which are carried by three arcade pillars dividing the nave, are from the late 1400s - and the longhouse choir from the beginning of the 1500s. Its triangular eastern finish is possibly influenced by Stege church's latest choir plan, the polygon-corners have small supporting pillars, and to the northeast is a point arched glare, to the southeast a bricked-up window and to the south a point arched, but remade door. The polygonsides are finished by a common gable with a horisontal glare decoration. Contemporary to the choir is the remade porch and the tower, which "wrong" gables (south-north) have a mighty rise and a glare system,which reminds about the one of the choir. The vaulted tower room, which opens to the nave in two point arched arcades, has to the south a point arched window. The tower stairs lie to the north. The present round arched windows of the church origin probably from a repair in 1724. The possibly late Gothic fence-wall, which follow the edge of the church hill is broken to the south by a flat round arched portal.

The Frescoes:
When you enter the church room you are overwhelmed by the rich picture bible in the vaults and on the triumph walls. The frescoes in Fanefjord are some of the most important frescoes in a Danish church. Except the frescoes in the middle of the choir arch, which are from the 1300s, the rest of the frescoes are made by the Elmelunde-Master in the late 1400s - and the paintings in Fanefjord church are his main work. His other works can be seen in other chuches on Møn, Falster and Lolland, like in Keldby and Elmelunde etc.
His characteristica is the simple humoristic description of the biblical scenes with clothes and buildings from the 1400s - and contemporary types of people. Except for the dresses his image of people are without actual personal features. Common for each and everyone, both Christ and the simplest sinner, are the large wide eyes, which give the persons a rather simple-minded appearance. His colours are warm, especially the variations of red with details in green, yellow and black. 

pulpit

Gotland limestone font

Interior Freestanding communion table is built in monk bricks, the altarpiece was made in ab. 1630 by the jointer, who was also the master of the pulpit in Stege church, the original decoration was brought to light in 1934. A figure of Maria with child origins from ab. 1300, it is now in Stege museum. Late Gothic altar candelabres ab. 1550. An early Gothic baptismal font in Gotland limestone, a South German baptismal dish,  ab. 1550-75, a pulpit in same type as in Elmelunde church and probably by the same master, contemporary sounding board, a baldacin below it from 1934. Upon the northside of the nave and the choir are closed Renaissance pews  from ab. 1600, almost similar to the now destroyed pews in Keldby church, besides are some early and newer gable-planks from various pews, which now are in Stege museum. Iron bound moneyblock 1756, four money tablets. Bells: 1) cast 1495 by Olaf Kegge, 2) 1826 by J.C. and H. Gamst, Copenhagen.


Parish history:
In the parish was in the old days, according to a report of Hans Viborg in 1679, a chapel at Hårbølle, and here was a monument Pilgrimsstenen (Pilgrim Stone), formed like a coffin and with a cross upon each hollowed corner and probably also with a crucifix.


North of the ferry place in Hårbølle at Hestehaven is a rectangular castle bank or a fort, which to the south and east has rests of  surrounding moats.

North of Fanefjord lies the castle bank Borgsted which during 1. World War was reshaped ino a military site. It was until then only a flat oval rise (60x65) with traces of a surrounding moats, according to early descriptions there were towards land double moats with a bank between, a well was found and ceramic pieces from ab. 1300 and rests of a wooden bridge, which lead across the moat, but no foundations. This might have been the site of the castle Nyhus (Prince Vitslav's castle),  which was often confused with Stegeborg, it defended itself against the Norwegian fleet and Marsk Stig's attack in 1289. The castle was probably originally laid out for defense of the ferry place to Falster, and from the same reason was also the field-work, which is seen in the ferry-farm's garden . 


In Askeby is found a somewhat levelled castle bank Hovgården, which square castle bank 60x60 was once surrounded by moats  and probably also banks. Charcoal has been found, but no rests of buildings. According to the legend a "Kong Kat" lived here.

At the foot of the hill Præstebjerg was a sacred spring Blåkilden. 

In the border to Kokseby was a large carved granite boulder Pilgrimsstenen, probably the same as is mentioned in Hårbølle chapel above, to which was connected a legend about Truels' daughters from "Ridder Truels Borg" or "Kokseby Slot". It is certain that in Kokseby was a larger farm, and a farm in the village is still called "Slottet", where were found rests of walls etc. Fru Grethe Rebers (?) of Kokseby Slot was burnt on the stake in the 1400s.

In the parish was a village called Bredemad  in 1596, which in the 1600s was said to have 6 farms and 1 house. Besides is mentioned a village Pested in 1429.

Green Hunter's Hill detail.

Green Hunter's Hill (enlarge)

Listed prehistorics: south of Fanefjord church lies one of the largest long dolmens in Denmark Grønjægers Høj ( the Green Hunter's Hill) or Grønsalen (the Green Hall): 102 m long, 2 m high, with an almost flat surface , with 3 chambers, surrounded by 134 closely placed very large edge stones. According to tradition Dronning Phane ( Fane) and King Grøn (King Green) were buried here.  Upon Vollerup mark 2 dolmen chambers with cover stones , 13 hills most of them in the forests.

Destroyed: 4 long dolmens 6 indefinable dolmens, a passage grave and 73 hills.

In a moor east of Hårbølle were found 16 pretty flint daggers. In Hårbølle Hestehave was examined a burial place from late Bronze Age with ab. 40 graves.

Names from the Middle Ages: Fanefjord (ab. 1370 Fanæfyorth); Vindebæk (1513-33 Wynnæbæck, 1596 Windebeck); Hårbølle (1513-33 Harrebølle, 1596 Harbølle); Vollerup (1562 Vollerup); Kokseby (1429 Koxebye); Store Damme (1513-33 Damme, Dammæ); Tostenæs (1422 Tostenes, 1462 Tostnæs); Lerbæk (1596 Leerbeck); Askeby (1596 Askebye); Hovmarken (1429 Hovemark).

Source: Trap Danmark, Præstø amt, 1955. 

photo: grethe bachmann and stig bachmann nielsen, naturplan.dk

Gisselfeld and Bråby church/ Bråby kirke, Ringsted herred,Sorø amt, Zealand.

Gisselfeld, Bråby parish, Ringsted herred, Sorø amt.















Gisselfeld is built upon an islet in the socalled gårdsø.( farm lake)The three-storeyed plan is built in red monk bricks under a red tiled roof. It has three wings with a protruding gate to the north, a stair tower in the yard at the west wing and a barrier wall to the south. The north wing with gate is the earliest and was the main building of Gisselfeld. Two side wings, the east- and west wing, were added and they were finished before 1575. 

Gisselfeld is similar to contemporary manors at the island Funen, like Hesselagergård and Egeskov. Some defense devices are similar, like the watchman's galleries with scalding holes and arrow slits and a decorative frieze under the roof. The Gothic glares are similar to Egeskov's and the stepped gables are seen in many Danish manors of Gothic Renaissance, like Østergård in Salling (North Jutland) and Vallø at Stevns (Zealand).

Gisselfeld, café and restaurant at the entrance.

Peder Oxe let the plan surround by an outer wall to the northwest with three towers, from which two towers, parts of the wallwork and Peder Oxe's big farm building by the road are preserved.  Upon the castle bank on the islet was built a low wing to the east in the late 1600s.

Gisselfeld was restored in 1869-74, which removed the addition from the Baroque, and in another restore in 1915 Peder Oxe's Gisselfeld was brought to light by using modern restoration principles with respect for the original building material,most of all the burnt monk bricks.

Avenue with special cut trees.

The three wings of Gisselfeld contain magnificent cultural treasures, mainly connected to the Danneskiold- Samsøe- family, which resided at Gisselfeld since 1699. First of all the collection of porcelaine, a collection which was established in the late 1700s. Danish, German and Chinese porcelaine. The Flora Danica takes up an entire room.  Chinese and Ostindian porcelaine dominate the socalled "porcelænsgang" in the north wing, and Louis XV and Meissen-porceleina  complete the lavish collection, which is spread in many rooms and halls.   The furnishing , Gustavian and Baroque, but also modern, is exquisite, like the collection of paintings, especially portrait paintings of the family Danneskiold-Samsøe and its close connection to the royal family.

Paradehuset and the orangery.

One of the most beautiful manor parks in Denmark lies here at Gisselfeld, in a lovely, hilly landscape with lakes. The park was founded already in Peder Oxe's time, where the little lakes by the main building was made into carp ponds. The landscape garden was established in the 1890s by the English landscape architect Milner, who is known from his work at Knuthenborg at Lolland and Tranekær at Langeland. Fountains and arbors and waterfalls make the background of the florals, the rare trees and bushes. The fine and protected glasshouse Paradehuset with orangery from 1879 lies close to the entrance. It is open to the public at the same time as the park. The orangery is filled with exotic and beautiful plants, and some are for sale.



































Gisselfeld is mentioned already in the 1300s, but it was probably only a lesser main farm which was situated ab. 2 km northwest of its present place, where the castle bank Spegedynen is still seen as a square surrounded by a moat.When Peder Oxe became the sole owner of G. in 1547, he broke down the old main building and built the present. Upon the castle island in the lake was in 1898 by the National Musum found the base of an ab. 15 m long rectangular building from an early farm Valgestrup, which, possibly between 1527 and 1541, and probably in the civil war  - was destroyed,  whereafter the land came under G.


















The earliest known owner was Bo Falk, who is mentioned of G. in 1370, he had probably taken it over from his father Peder Falk.  The next known owner was Eskil Falk, who is mentioned of G. in 1384. He was succeeded by his son Peder Falk, who is mentioned of G. in 1410.  After him came the brother Eskil Falk (+ earliest 1421), whose daughter Ida married hr. Mogens Axelsen Gøye of Krænkerup (+ earliest 1450). Their son, the marsk hr. Eskil Gøye (+ 1506) inherited G., which after him by a siblings' exchange in 1508 came to his youngest son hr. Henrik Gøye (+ 1533), the wellknown supporter of Chr. II and the defender of Copenhagen in 1523-24. Henrik Gøye had to borrow 4650 mark lybsk ( for pawn and first right to buy G.) from his brother, rigshofmester hr. Mogens Gøye and Otto Holgersen Rosenkrantz. He sold G. however in 1527 to his relative, rigsråd Johan Oxe of Nielstrup (+ 1534), and this ended in a long-winding feud between the Gøye- and the Oxe-family, since Mogens Gøye stood firm on his first right to buy G. A judgment at the King's Thing was mostly in Mogens Gøye's favor, but it brought no final solution. A new judgment of 1539 and an agreement in 1541 brought a final decision, whereafter G. belonged to Johan Oxe's heirs, represented by the son, the wellknown statesman, rigshofmester Peder Oxe (+ 1575),who became the sole owner of G. in 1545.

















Peder Oxe improved G. by extension of the land and the farms, and carried through several operational improvements and laid out the still existing carp fishing. During his exile in 1558-66 his estates were taken by the Crown, but in 1566 he got his property back; G. was even improved with judicial rights (birkeret). Peder Oxe died in 1575, he left no children, and G. came to his widow, Mette Rosenkrantz of Vallø (+ 1588). In the following exchange G. - which was reduced from the inherital dividing of the estate - came to Peder Oxe's sister's daughter Karen Banner (+ 1616), who in 1580 married Henrik Lykke of Overgård (+ 1611), after whom it was taken over by the son Christian Lykke (+ 1619) and his brother, the later rigsråd Frands Lykke (+ 1655), who by inheritance and buy gathered the divided estate - and after him it went to his son, the famous Kaj Lykke (+ 1699), after whose decrease G. was taken over by the Crown in 1661.

Frederik II left G. to his son arveprins (crown prince) Christian (later Chr. V.), who often resided at G. After his accession to the throne he transferred it in 1670 to the famous general from the Swedish wars, Hans Schack (1671 lensgreve of Schackenborg + 1676), who the same year transferred it to his son-in-law, oberstløjtnant Ditlev Rumohr of Röst (+ 1678), who 7/1 1671 by Chr. V got an exchange-deed of G., but after his wife's death the same year he transferred it back to Hans Schack, whose widow Anna Blome (+ 1688) owned it until 1682, where she transferred it to her son Otto Diderik greve Schack (+ 1683), whose widow Sophie Dorothea Marschalk (+ 1707) in 1689 sold it to Adam Levin Knuth  (+ 1699), who also owned the nearby Assendrup (in Tybjerg herred). A village Hesede had been abandoned, and Knuth established in 1691 the farm Hesedegård from its land, a farm which stayed under G., but later was leased out as an independent main farm. In 1699 his heirs conveyed G. with Assendrup to Chr. V.'s son with Sophie Amalie Moth, Christian greve Gyldenløve of Samsø (+ 1703), ancestor of the Danneskiold-Samsøe family. The family is connected to Gisselfeld from 1699 up till the present day.



















Gisselfeld Kloster (formally Gisselfeld Adelige Jomfrukloster in Zealand) is a foundation, which was established in a will by Christian V.s illegitimate son with Sophie Amalie Moth, Christian Gyldenløve in 1701-1702. The foundation is not a "kloster" in a traditional sense, but a socalled jomfrukloster. The inscribed kloster-ladies - konventualinder at Gisselfeld - had to be unmarried and of noble status and birth, but contrary to the ladies at Vallø and Vemmetofte jomfrukloster they did not reside at the kloster. Gisselfeld kloster is managed and directed by an overdirektør, who according to the original fundats is elected among male grever of the family Danneskiold-Samsøe. The gender discrimination in the fundats is however declared invalid according to the Gender equality Act. The overdirektør of Gisselfeld has his private residence in the main building of the kloster (the castle).

A case around Gisselfed is still pending these years. The overdirektør Erik greve Danneskiold-Samsøe was suspended by the former management, and he has lead a trial since, he wants to get his job back, but he also wants to have the court's words for that Christian Gyldenløve's over 300 year old fundats should be followed still today, he has not been upheld by the court though. During the years there have been case after case and it is  much too complicated to describe. The Gisselfeld-case ended in the supreme court in 2011. (Not finished)

The Ugly Duckling
Hans Christian Andersen wrote during a stay at Gisselfeld the fairy tale The Ugly Duckling (Den Grimme Ælling.

Listed prehistorics: At Hesede the dolmen chamber Kejshave Stendysse, in Gisselfeld Dyrehave 6 hills, of which one is rather large.
Demolished or destroyed: a long dolmen west of Bråby and 9 hills in the fields of Gisselfeld.

Names in the Middle Ages: Bråby (1342 Broby østræ); Sø Torup (1456 Tordrop, 1561 Søtourup); Gisselfeld (1370 Ghyselfel, 1410 Gislæfællæ); Hesede (1290 Hyrsæt, 1342 Hirsædæ).

Source: Trap Danmark, Sorø amt, 1954; Danmarks slotte og herregårde, Niels Peter Stilling, 1997.  

landscape near Bråby.

Bråby church/ Bråby kirke, Ringsted herred, Sorø amt.
The church in Bråby has a Romanesque nave with Gothic additions: tower, north chapel and porch and longhouse-choir from ab. 1570. The Romanesque nave - from which are kept the longwalls and a little of the gable - is a limestone building. There is only preserved one detail, a walled window east of the door-place to the south. A big chapel was added ab. 1500 in tile and limestone, furnished for a herskabsstol ( manor stool) and burial chamber ab. 1695, restored in 1903.The tiled gable-field has a rich glare decoration in South Zealand type, from the same time is the belt-walled western tower, which has a straight-running stair in the north wall, and the porch to the south in tile and like the tower very rebuilt with small stones. The longhouse-choir was built ab. 1570 by Peder Oxe in tile with two vaults, which have been renewed like the vaults of the nave. Restoration in 1877 and 1880.

The altarpiece is a painting, signed Constantin Hansen 1833 in contemporary neo Gothic frame. A house-altarpiece from 1579 with an alabaster-relief and portrait-paintings of Peder Oxe and Mette Rosenkrantz, which were in the church for a period, but is now kept at Gisselfeld. Chalice given in 1681 by Hans Schack. Strange, profiled altar candelabres upon a square foot, given by Adam Levin Knuth 1698. Upon the chasuble an embroideret crucifix and year 1722. A Romanesque limetone font, Gotland work from ab. 1180, a unique scuplture work by the master "Anonymus Calcarius" with rich symbolic reliefs A baptismal dish, south German ab. 1550 with engraved coat of arms of Frands Lykke and Lisbeth Brok 1626. A pompous late Baroque choir rail from 1695 with double-doors and crucifix. a pulpit from 1938. In front of the manor stool in the north chapel is a closed gallery from 1695 with the coat of arms of Adam Levin Knuth. Two cast steel bells, 1874 and 1880.

A magnificent epitaph ab. 1560 in Gotland limestone for Peder Oxe (+ 1575), which is a very important work of art, from Copenhagen or Skåne. (Scania). Peder Oxe is not buried here. In the porch 5 gravestones from the 1700s. In the burial chamber 3 coffins: 1) Adam Levin Knuth, +1699, a splendid coffin, dressed in copper;  2) Sophia Ulfeldt + 1698 and 3) Hilleborg Holck, + 1724. Upon the churh yard is a strange monument, a pyramid with inscription: "Maria was always virtuous".

Source Bråby church: Trap Danmark, Sorø amt, 1954.      

Urlev church/Urlev kirke, Bjerre herred, Vejle amt.

The whitewashed church has a Romanesque choir and nave with a modern tower at the south side, which bottom room functions as a porch. The Romanesque section is built in travertine and raw boulder. The north side is almost untouched, but it is supported by six heavy pillars. Inside is the unprofiled round choir arch, while all the south side seems rebuilt in the late Gothic period from the old material, mixed with large amounts of monk bricks, probably contemporary to that a cross vault was built in the choir and two octagonal rib vaults in the nave. From the broad straight-edged doors the south door is in use, while the north door is bricked.The high Gothic west gable has five Gothic glares. A porch, which probably was late Gothic, was removed in 1942, and on its place a tower was built in late Gothic style. All roofs are tiled.

House in Urlev

The altarpiece from 1610 is a joinery in simple high Renaissance with a re-found painting and a decoration from 1757 with the coat of arms and initials of Johannes de Hofman. A later painting, a copy from the 1800s by a Carlo Dolci painting, is kept in the church. Altarchalice from 1710. Late Gothic candelabres with three rings on the shaft.  A small late Gothic crucifix, probably used originally for procession-use. A pretty early Gothic baptismal font, a Gotland limestone work with sepals and a diamond frieze upon a new foot, the old foot stands on the church yard. A smooth dish, probably from the 1700s. The pulpit is a solid carving in Baroque from 1656.  The pews contain parts from 1633, but were re-newed in 1981. A bell from the late 1100s, which has a small engraved consegration-cross with four lesser crosses in the angles.- In the porch under the tower two grave trees. 

Mill between Urlev and Uth.

The væbner Jes Assersen in Urlev is mentioned in 1458; in Spettrup lived in 1484 and 1503 Anders Munk, who had the coat of arms of the family Jernskæg, in 1533 Niels Poulsen (Børialsen).

While digging a ditch in the garden of the sognefoged (parish mayor) in Spettrup were in 1871 found 333 coins from Erik Menved's and Christopher II.'s rule, put down ab. 1325.

There are no listed prehistorics in the parish, but there were one dolmen and 3 hills.

Source: Trap Danmark, Vejle amt, 1964.

photo 2008: grethe bachmann