Friday, February 23, 2018

Asdal Manor and Asdal Church, Region North Jutland, Vendsyssel



Asdal, wikipedia

Today:
Asdal, Region Nordjylland, Asdal sogn, Vennebjerg herred, Hjørring Kommune 


Before 1970: Asdal, Asdal sogn, Vennebjerg herred, Hjørring Amt.  
  





The first owner of Asdal is from the 1300s, hr Niels Ovesen of the nobility - which by the genealogs from their family coat of arms named Panter. Niels Ovesen Panter and his wife fru Johanne Andersdatter (Stenbrikke) owned the manor - but besides Asdal Niels Ovesen was the owner of  much estate in this region, like Skovgaard and Kærsgaard in Vennebjerg herred and Knivholt in Horns herred. He was a wealthy and respected man, he was a knight and had two of his children married into the zealand nobility family Lunge. The daughter Ingeborg, ( widow after 1429), married ca. 1390 the later rigsråd and hofmester Anders Jacobsen Lunge.

Asdal was inherited by Niels and Johanne's son væbner Anders Nielsen Panter, who in 1393 wrote himself of Asdal and was married  1) to Regitze Jacobsdatter Lunge , who died soon after. Anders died 1405 or 1406 but he had before this married Ide Lydersdatter Holck (+ earliest 1425) , who in 1406 owned Asdal and later married hr Lyder Kabel of Fuglsang (+ earliest 1440), who in 1415 wrote himself of Asdal. Lyder Kabel and Bonde Due of Torup (Hillerslev herred) on behalf of his wife achieved in 1419 by a share of inheritance 2/3 of Asdal, while 1/3 of the manor went to Anders Nielsen Panter's sister fru Ingeborg Nielsdatter Panter's (+ earliest 1411) husband , rigshofmester hr. Anders Jacobsen Lunge (+ 1429).

Asdal,  foto Den store Danske.
Bonde Due (+ earliest 1430) was married to fru Ide's daughter * fru Johanne Andersdatter Panter (+ 1477) and took over in 1419 hr. Lyder's part in Asdal; fru Johanne , who was said to be the last member of her family (Panter), was in 1462-63 royal vasal in Vendsyssel; her second husband was hr. Niels Eriksen Banner of Vinstrup (+ earliest 1444), who in 1425-43 is written of Asdal. A relative of Niels, hr. Jens Eriksen Banner( + earliest 1444) must also have had a share of Asdal, which he wrote himself of in 1423. After the death of Niels Eriksen Banner fru Johanne wrote herself in 1455-74 of the manor; in the division of the estate after her Asdal estate was laid out to her son rigsråd hr. Anders Nielsen Banner, who already in 1454 and 1463 had written himself of Asdal. At his death in 1486 his only son Erik Andersen Banner, who in 1480 wrote himself of Asdal, had died a few years before (+ latest 1483) , but his widow Karen Stensdatter Gøye is mentioned in 1480-88 of Asdal; she later married rigsråd hr. Niels Høg Banner of Eskær (+ 1524).

Johanne Panter
* fru Johanne Andersdatter Panter, who died in 1477 the last of her family, achieved great wealth from inheritance - and in the nobility family books is told that she was a member of rigsrådet. This is  said to be a legend, but she was in 1462-63 royal vasal in Vendsyssel. It was said that her family rejected Bonde Due's proposal to her, but he abducted her and they were married. When in 1419 was a legal change after old Niels Ovesen, Bonde Due was present for his wife and Anders Jacobsen Lunge for his wife as heirs. Both achieved parts in Asdal, but since fru Johanne before 1422 married again, this time to hr Niels Eriksen Banner, Asdal came into the ownership of this family and stayed there for almost 200 years as one of the main houses of the family Banner. 

Aalborghus, wikipedia
Niels Eriksen Banner was from Zealand, his father owned Vinstrup and Niels inherited also this manor. He was in 1438 rigsråd and vasal at Skivehus, later vasal at Aalborghus. He lived still in 1444, took part in devoting Erik of Pommern  and in calling for Christoffer of Bayern. His son, Anders Nielsen Banner,  achieved even more respect  for the family, he became ridder and rigsråd  and was like his father royal vasal at Aalborghus, and this vasalry was later owned by his son and son's son. The strong attraction to this North Jutland vasalry is linked to that Anders Nielsen and his descendants became 100 % Jutland lords and were among the richest. Anders Nielsen owned besides Asdal, Kokkedal and Højriis 2 smaller Jutland manors plus the zealand manor Vinstrup. It is a proof of his good reputation that he in 1486 during king Hans's stay in Norway was among three leaders of the government in Jutland -  he died the same year. His only son Erik Andersen Banner had died a few years before, but his widow Karen Gjøe wrote herself in 1480-88 of Asdal. With their son Erik Eriksen Banner the family came up in the top plan of society.

Kalø castle ruin, foto GB
Gustav Vasa
Erik Eriksen Banner was a vasal at Kalø and kept it in 40 years till his death in 1554. He was exposed to a costy accident since Gustav Vasa who was a prisoner at Kalø escaped him in 1519. Christiern II sentenced Erik Eriksen to a fine of 1.600 gylden,a giant sum of money. There was however no animosity between the king and his vasal, and Erik Eriksen did not take part in the rebellion against the king, but when he was directly and personally threatened, he joined Frederik I. His good reputation was  not hurt by having joined the displaced king for so long -  he now became a rigsråd. It was strange that he was one of few noblemen who was in favor of the new religious movement in Denmark, he let a Luther-minded priest call to Thorsager kirke which was Kalø's parish church . When Frederik I died, Erik Eriksen was in favor of hertug Christian to become Danish king, and when the Skipper Clement feud broke out he was firmly against it. When the revolt was crushed at Aalborg, Erik Eriksen Banner was together with Johan Rantzau commander of hertug Christian's troops. His quiet performance of various administrative jobs in the rebellious districts contributed to calm the mood of people.


* It was said that Erik Eriksen Banner helped Gustav Vasa to escape, and if this is true then Sweden has got something to thank Erik Eriksen Banner for.




Asdal voldsted,

wikipedia
After Christian III was elected king, Erik Banner's succes was safe. He was connected to the king and achieved in 1541 the title of rigsmarsk and he was attending several of Christian III's travels, like the the meeting at Brømsebro with Gustav Vasa. It must have been strange for Erik Banner to stand face to face with the man who had once been his prisoner. In his latest years Erik Banner wrote himself most often of Asdal, his son Frands seems to have taken over Kokkedal while his father lived. Erik Banner died in 1554, ca. 70 years of age at Kalø, which more than anything else had formed a frame around his life. He was buried in Torslev kirke, the parish church of Kokkedal. It was said about Erik Banner that he was one of the most important and influental noblemen in the reformation period in Denmark,  but none of his children inherited his abilities. His estate was shared among his heirs, and Asdal with Bangsbo came to his son Otte, who from 1560 was a vasal of Sejlstrup, he was mostly known for his marriage to Ingeborg Skeel of Voergaard. She kept the vasalry after her husband's death 1585.

Fru Ingeborg Skeel was more than anyone else a personality in the legends from Vendsyssel, not because of her virtues - often usual legends from other places (called vandresagn = wandering legends)  who were localised to Voergaard (and never to Asdal)  where she had the main role in the legends. Her authority must have been stronger than that of other noble ladies, like her economic sense and energy .She had a fine cattle herd at Voergaard, she traded in grain and bricks and she let her people be merchants and trade on markets etc. She kept her churches in good condition and she had in general a good relation with the Clergy.  

Otte Banner and fru Ingeborg had no children. Otte Banner wished to give Asdal to his brother Anders Banner's sons with Dorthe Rud, but he claimed that the king had to make the gift unshakeable. The king accepted this, but it was however Otte's sister Karen who after Ingeborg Skeels death in 1604 and after long and complicated judicial feuds became the owner of Asdal. Karen Banner died in 1611, and Asdal had a troubled destiny in the next years. Several aristocrats had part in it.





Specification:
Above mentioned Anders Nielsen Banner's daughter Anne Andersdatter Banner (+ latest 1490) , who was married to Jens Due Thott of Egholm (Voldborg herred) had inherited a sister-part in A., which she according to a thing's witness in 1492 gave to her brother's children. Among these rigsråd and rigsmarsk Erik Eriksen Banner (+ 1554) inherited Asdal manor and estate, which later came to his son Otte Eriksen Banner, married in 1560 to Ingeborg Skeel of Voergård, who after his death in 1585 kept Asdal until her death in 1604, since Otte Banner before his death had conveyed manor and estate to his family, but in a way so fru Ingeborg kept the estate or a part of it as fief for the rest of her life. Two brother-sons, Erik Andersen Banner of Gjessingholm (+ 1597) and Otte Andersen Banner of Studstrup (Rinds herred) (+ 1625), inherited Asdal, to which the first mentioned wrote himself in 1595, while Otte Banner's sisters Berete Banner (+ 1592), married to Knud Bille of Lindved (+ 1592), Magdalene Banner (+ 1597), widow after Iver Krabbe of Krabbesholm (+ 1561), and Karen Banner of Høgholt, widow after Gregers Trudsen Ulfstand of Gl. Estrup etc. (+ 1582), achieved a part of the spread estate. Later owners of Asdal: the families Ulfstand, Podebusk, Rantzau, Skeel, etc. The owner in 1935 and still in 1959 was Jens Andreasen from Guldager (Vrejlev sogn). And else various owners up til present.
Owner from 1989: Jens Peter Lemmergaard Lunden 

Legend:
In a glass box above the main entrance of Asdal Hovedgaard are the rests of a very old ham-bone from a pig. The ham-bone is said to be over 400 years old - and caused by its durability and strength it has supernatural powers, which will be transferred to the house where it is kept. If the ham is removed strange things will happen at Asdal.

Some hundred years ago the pigs eat mast in the beech- and oak woods. The lands of Asdal Hovedgård and Odden were adjacent. In the hunting a pig was shot and the owners of Asdal Hovedgård and Odden disagreed about to whom the pig belonged. The disputes lead to a lawsuit and the outcome was that the owners of Asdal and Odden had to divide the pig lengthwise. The bacon-sides had to be hang up on the wall in the two manors - and he who was able to keep the ham fresh for the longest period was the true owner of the pig. The ham is still at Asdal, but it has disappeared at Odden.

Asdal voldsted, foto GB
Asdal voldsted, foto GB
Next to the farm buildings of Asdal Hovedgård is the large Asdal Voldsted, which consists of a square about 11 m high castle bank ( 63 x 37 m) surrounded by moats, still partly water-filled. The access to the castle bank was from the south, probably via a bridge. At the castle bank was a three-winged building complex, there are still rests of buildings at the top. In 1662 were two houses in two storeys and one half-timbered house in one storey. In 1769 the castle yard had two houses, one two storey, the other three storey high, one of these houses (named Brunhuset) was said to have been one storey higher. According to tradition there were two huge towers( Vagttårnet and Brandtårnet) on the northern wing's two sides, the rests of these were said to be gunned down in the war 1807-14. Brickworks have been found.


Asdal church, foto GB
Asdal Church, ab. 12 km north of Hjørring

The small white-washed church is situated in a desolate place southeast of Asdal Hovedgård (manor). Asdal church was from the beginning only a chapel for Asdal manor. The parish was earlier named "Asdal Kapels sogn" and Niels Persøn is mentioned in 1476 as a curate at Asdal. The church is a late Gothic longhouse building from the last half of the 1400s with a half-timbered porch to the north, probably from the 1700s. The Gothic building is built in monk bricks mixed with a few granite stones. In the north wall inside is a broad point arched glare, possibly a bricked-up archade for a later broken down sacristy or burial vault. The ceiling in the undivided room is dressed in boards. The little pretty porch has black tarred half-timbering.

Asdal church, foto GB.
Some figures from an earlier late Gothic altar piece and a crucifix-group is given to the National Museum in Copenhagen. The altar piece is a Lutheranian triptychon from ab. 1575 with a painting from ab. 1700. A chalice from the 1700s. Late Gothic ore-candelabres from ab. 1550 with the coat of arms of Banner. A late which probably belonged to the church was found at Asdal Voldsted (castle bank). It is now at the National Museum. A Romanesque granite font with a hemispherical basin and a truncated crone-foot with line ornaments. A south German baptismal bowl, ab. 1575. The pulpit is a fine Renaissance joinery from 1578, given by Otto Banner of Asdal and wife Inge(Ingeborg) Skeel with their paternal and maternal coat of arms, restored in 1905. Pews from the same period and manor-pews with the same coat of arms. A church bell from 1627 cast by Hans Kemmer with Fr. Rantzau's name. In the choir a marble epitaph for Christen Speitzer Follerup, +1789. 5 gravestones from the 1600s and 1700s, one is a trapez-shaped bondegravsten (peasant) in granit for ("wife MGD died 1800").


Listed prehistorics: 3 hills, i.e. the high placed Hellehøj; one is possibly the rest of a stone grave.
Demolished or destroyed: 13 hills, all in the southern hilly part of the parish. At Rugtved is found a burial site with stone graves from early Roman Iron Age, and upon the low terrain close to the border of Uggerby was found a settlement with fields from Celtic Iron Age. From Stejlbjerg is a finding with 3 guldbrakteater (gold plates) and 18 glass pearls.

Names in the Middle Ages and 1600s:
Asdal (1393 Asedal); Skovsgårde (1638 Schouffgaard); Rækær ( 1662 Rikier, 1688 Ree Kier); Skoven ( 1688 Schoufven); Heden (1688 Heeden); Puthede (1662 Putheede); Mosen (1688 Mossen); Kjul (1419 Kyle Mølle, 1662 Nør Kiil, Sønder Kiil, 1688 Nør-Sønderkyfvel); Stejlbjerg
(1662 Steilberig); Rugtved (1688 Routued); Hulskov ( 662 Halschou, 1688 Houl Schouf); Rynken (1688 Røncken ) ; Gravholt (1688 Graufverholtz Huus.).

Source:
Trap Danmark, Hjørring amt, 1960; Danske slotte og herregårde, bd. 10, Vendsyssel




Wednesday, February 21, 2018

Odden Manor and Mygdal church, Region Nordjylland





Odden, wikipedia
Odden, Region Nordjylland, Mygdal sogn Vennebjerg herred, Hjørring Kommune. 



before 1970: Mygdal sogn, Vennebjerg herred, Hjørring amt.





The family Lunge were the owners of Odden for about 300 years.

No owner of Odden is with certainty known until into the 15th century, where it belonged to the ancient family Lunge. Through marriage and inheritance this sjællandske ( zealand) family had resided in the northernest regions of Jutland. Hr. Anders Jacobsen Lunge, one of the richest and most respected noblemen in Denmark,  a rigshofmester and a member of the rigsråd, married in his youth hr. Peder Offesen Neb's widow fru Ingeborg Nielsdatter Panter, and with her he got considerable estate. A few years after her death was in 1419 legal change after his parents-in-law, hr. Niels Ovesen Panter and fru Johanne -   and much estate came to Anders from the region around Hjørring, like Knivholt and Bøgsted, the manor Odden was probably mentioned too.


landscape by Odden, foto gb
Hr. Anders Jacobsen Lunge had no heirs, a son of his cousin hr Oluf Andersen Lunge wrote himself of Odden in 1454. Hr. Oluf was one of his time's most excellent noblemen. He was the first known owner of Odden. He still lived in 1473. Odden came after his death to his son Oluf Olufsen Lunge who died in the 1470s, he was the last male of his family. His widow Karen Nielsdatter Banner brought Odden to her second husband Vil Thomasen Galskyt, who in 1479 and later wrote himself of the manor Odden, but Oluf Lunge's son-in-law Henrik Friis of Haraldskær (+ earliest 1500) was partly owner of Odden and later without doubt sole owner. After his first wife fru Anne Olufsdatter Lunge (with whom he had several children) died, he lived in a probably childless marriage with Margrethe Mogensdatter Krabbe of Bøgsted who outlived him with many years. The death year of both is not known.

Odden, wikipedia
The next owner Ove Vincentsen Lunge, who got the manor Odden via marriage to Anne Henriksdatter Friis (his first wife was Karen Eriksdatter Rosenkrantz +) played an important role among his contemporaries. His father was of the family Dyre, his mother of the family Lunge which earlier owned Odden, and he and his siblings took names after her. After king Hans's death he was soon a warrior, soon a diplomat, he was a member of rigsrådet, he achieved the knighthood and had important vasalries. He inherited Tirsbæk after his father, he got Odden with his second wife Anne Henriksdatter Friis and he bought Kragerup at Zealand, he had success as a farmer and he was a bibliophile too. He died in 1540, his wife, Anne Henriksdatter Friis, whose first marriage was to Bjørn Andersen Bjørn of Stenalt, outlived him with a couple of years.



Odden, foto gb
After Anne's death came Odden in 1542 to the son Tyge Lunge (Dyre) (+1545)(whose widow Sophie Nielsdatter Kaas (Sparre-K.) disclaimed liabilities on succeeding to property), and to Christoffer Lunge (Dyre), (who was killed in 1565 in the battle of Svarterå). He and his wife fru Karen Jørgensdatter Juel were buried in the chapel at Mygdal kirke.  Odden went to his son Ove Christoffersen Lunge (Dyre), whose wedding to Anne Maltesdatter Sehested was held at Odden. Ove Lunge died in 1601, and after his death Odden went to the son rigsmarsk hr. Jørgen Lunge (Dyre) of Birkelse etc.; he took part in the Kalmar war, had several vasalries and was from 1616 member of rigsrådet, he was rigsmarsk and ridder, he died already in 1619, only 41 years of age -  and was like his parents buried in Vor Frue kirke in Aalborg. His wife Sophie Stensdatter Brahe retained Odden for the time being, she outlived her husband with 40 years and saw almost all her children die in their best years of life, seven married daughters and the son Ove, the last male of the family, died before her,  only the daughter Ide outlived her.

Fru Sophie had in 1656 refrained Odden, Birkelse and Høgholt to her children and children-in-law. Høgholt came via the daughter Lisbet to the family Rosenkrantz, Birkelse came to a branch of the family Skeel and Odden was shared between the late Anne Lunge's son, Just Justesen Høg and Otte Skeel's widow, Ide Lunge, who swapped away her halfpart to her sister's son Mogens Christensen Skeel, who became the sole owner of Odden by in 1661 buying Just Høg's part. After him came Odden to the son Ove Lunge, who died unmarried in 1637, the last male of his family. His mother Sophie Stensdater Brahe ( + 1659) took over manor and estate.
And this was the end of the Lunge era at Odden.

Various owners


today:

 Odden J.F.Willumsen Collection





Odden, foto gb
he word Odden means an isthmus, a spit of land - the manor was built upon a spit of land, on the northernest spit of a low hillside or an isthmus, which grew out from a meadow surrounded on both sides by brooks which went together and formed a small lake, where the water was used for the mill.


The main building is one of the district's most interesting secular buildings, but its history is not fully known. The manor has three wings of which the built-together south and east wings are from the first half of the 1500s, while the low west wing in half-timbering is built ab. 1765. The oldest part is probably the east wing, with Ove Vincentsen Lunge as the building master. The white-washed wing has a red tiled roof. Remarkable is the great blændingskors (cross) upon the southern gable, a so-called patriark-cross placed between the two upper windows of the gable. The cross is the distinctive mark of the family Lunge and it shows that the east wing must be built in the Catholic period. The south wing with a gate-passage was probably built by Christoffer Lunge in the 1540s. Much later probably after a fire in 1763 is the present west wing which was built in half-timbering in one storey.

Odden might have looked rather sinister in its first time with the dark, heavy buildings without towers or spires and its small windows placed rather randomly. It was known as one of the oldest farms in all of Jutland, no older neighbouring moat sugessts, that it earlier was placed otherwise. Now the more than 400 years old buildings are whitewashed and lights up the landscape.

The land of the manor was outparcelled in 1945-46. Today Odden is used for exhibitions based upon a large collection of the Danish artist J.F.Willumsen's works.


Mygdal church., built about 1300.
Mygdal kirke, wikipedia
The rather desolate placed white-washed church in Mygdal has a late Romanesque choir and nave, a chapel by the north side of the choir from ab. 1550-60 and a porch from 1897. The late Romanesque building is mainly in bricks and is closely related to the Vendsyssel brick-work group. Both gables are re-walled. The choir arch inside is extended and both choir and nave have beamed ceilings. The large chapel at the northside of the choir was probably built by Christoffer Lunge as a burial chapel.

Interior: A walled communion table in monk bricks. The altar piece has sections from Renaissance with the coat of arms of Ove Lunge and Anne Sehested upon the foot piece;  it was re-made in Rococo in 1777 with the names of Pors Munch and Else Joh. Seidelin and a new painting. Chalice from 1761. Late Gothic ore candelabres. A small gilt alabast crucifix is now in the National Museum. A Romanesque granite font, half-circular basin upon a hollow pyramid-foot. A south German bowl from ab. 1575 with engraved coat of arms of Kaspar Markdaner and Sofie Oldeland. A late Gothic choir arch crucifix from ab. 1500 upon a new wooden cross.

Upon the north wall a pretty fresco of Maria with child from the late 1300s probably by the same painter who made Skt Kristoffer in Hjørring. Below Maria a coat of arms with chess-pattern, probably for Niels Mogensen Glob who was know in this region in 1394. A pulpit in simple Baroque with painted year 1777, repaired 1932. The church bell with the name "Rose" was cast in 1560 by Peder Lauridsen for Christoffer Lunge and hangs in a bell frame. In the choir wall a magnificent Renaissance grave stone from 1576 for Christoffer Lunge, who was killed in 1565 at Falkenberg and Karen Jørgensdatter( Juel) + 1556, with portrait figures of both.



source: Danske slotte og herregårde, bd. 10, Vendsyssel, Odden, Danske kirker,



Monday, September 11, 2017

Harridslevgaard/Harritslevgaard Slot, Skovby Sogn, Nordfyns Kommune





Harridslevgaard slot/ photo gb



Harridslevgaard slot is mentioned the first time in 1231, where it belonged to the king." Haræslef" is mentioned in King Valdemars jordebog of 1232 as one of the king's castles. It had then a value of 144 mark gold.

In the early Middle Ages "Haræslef " was according to the legend a sørøverborg (pirate's castle) . At that time the sea went right up to the castle with a free view across the sea and the pirates hang out lamps to fool the ships to come close to the coast, where they could enter the ships and rob everything they wished for. But there were so many complaints about the pirates at Harritslevgaard that the king took action and had them all executed.

 In 1542 Jørgen Svave got a livbrev of the manor (royal guarantee for ownership for life) and he succeeded in buying it as a free estate in 1560, where the document says that it was sold to the king's vasal Jørgen Svave by Frederic 2.


Harritslevgaard slot/wikipedia
Rigsråd Breide Rantzau (1556-1618) bought the old royal administration-center Harridslevgaard in 1589 from Jørgen Svave. The deal went possibly on under shady shapes. The Svave family led process about the sale still ten years after the sale. Breide however did not care. The spirited aristocrat was one of the young Chr. 4's loyal followers and also a good  svirebroder ("feasting brother"). It was always a great feast when Breide accompanied the young king on his travels to Norway and England around year 1600. Breide Rantzau belonged to the wealthy and powerful Rantzau-family who came to Denmark in connection to Grevens fejde in 1533-36, where Breide Rantzau's grandfather Johan Rantzau was Chr. 3's army chief.  The family was - especially at Funen -  rewarded for its loyalty to the king with several manors like Rantzausholm (Brahetrolleborg), Hellerup, Hindemae and Harridslevgaard. Breide Rantzau broke down the old castle and built a new Renaissance building which was finished in 1606,in three storeys and with a large octagonal stair tower by the castle yard.




medieval feast/wikipedia
Breide's daughter-in-law, the beautiful fru Anne Lykke received her royal lover, Chr. 4's eldest son (the chosen Prince) on Harridslevgaard, while she was the owner in 1623-31. Anne Lykke lived in 1623 at Harritslevgaard after her husband Kaj Rantzau's early death and the rich widow cast her pretty eyes on the Crown Prince, the young Christian, while his father Chr. 4 without luck took part in the 30-years' war in North Germany. 

 At his homecoming after the painful defeat at Lutter am Barenberg Chr. 4 let in 1626 Anne Lykke arrest and put in prison at Kronborg. The acussation was that she by "druk og letfærdighed" (drinking and frivolity) had disturbed the Crown Prince in his leadership of the government in the absence of Chr. 4. After in vain having tried to start a case against Anne Lykke the king had in 1628 to set her free, if she would promise to stay at her manor. On her release in 1628 she settled at the manor Hellerup at east Funen, while her other estates were left to members of the Ulfeldt and Rantzau family. She married in 1629 one of Jacob Ulfeldt's many sons,  the learned Knud Ulfeldt. Anne Lykke died in 1641. After her came several owners to Harridslev, until the castle in 1829 was sold to greve Bernstorff-Gyldensteen. The big adjoining land still belongs to Gyldensteen, while the main building was sold to other side.

The owner Christiane Hoppe Hagedorn expands in ab. 1750 the adjoining land, rebuilds the main building (1753) and establishes a stutteri. She was a diligent lady of the castle and she now haunts the castle as the white lady. Harridslevgaard came after the introduction of the absolutism  in 1660 soon in bourgeois hands and changed owners up till 1829 where grev Bernstorff at Gyldensteen bought the castle, and it was combined with the neighbouring estate Gyldensteen northeast of Bogense. 1922 At the county's transition to a free estate was sold 800 tønder land from Harritslevgaard's earlier adjoining land for the founding of 66 smallholdings. 1963 Director/Antique dealer Frank Nicolaisen buys Harridslevgaard with park, but without farming from grev Carl Johan Bernstorff of Gyldensteen. While Frank Nicolaisen was the owner he started from 1963 a thorough restoration.

The family Schimko bought Harridslevgaard in 1985 and continued the restoration. In 1995 they opened the castle to the public.

Harridslevgaard slot/ gb
Only a little is left from the original manor except the sandstone fireplaces and the room divisions. In the reconstructed manor environment you can walk from the  Pigekammer (servantmaid's chamber) in the basement and the large kitchen and via beautiful rooms and living rooms up to the magnificent riddersal (Knights Hall), which fills out the whole upper storey of the east wing. The present pretty and right inventory are new antiquities, bought with a sense of a castle's historic inventory.


The knights hall of 400 kvm  is the largest privately owne in Denmark and is very imposing. From the Knights Hall is access to two hemmeligheder ( medieval toilets in the wall).  In the north wing is "the blue room" with marbled, handcarved panels in an exceptionel blue room -  and the modern hemmelighed is also in blue. The Winter Hall in the east wing with its original richly ornamented sandstone fireplace is remarkable. In the north wing is also "the red living room" with a well preserved vaulted ceiling and pretty red wallpapers. In the basement are among others two rooms called "jagtstuen" (hunting room) and "badstuen" (bath room). Here was originally laundry and bakery . It is now furnished into an  exclusive bathroom and hall. In the medieval cellar is a vaulted kitchen which still 400 years later is serving its original purpose. From the kitchen is a downturn to a socalled dungeon, which probably was the old cold storage and wine cellar. At the kitchen wall are the traces of a spiral staircase, which connected the kitchen to "the red room" above.


Mysteries at Harridslevgaard.
Harridslevgaard has - together with other mysterious happenings on Funen - made the background of a book "Guide til det okkulte Danmark" by the author Bo B. Hamilton-Wittendorff. Peculiar occassions sometimes happens.A visiting woman was scared to death by a little girl who had been chasing her, until she suddenly disappeared out in the blue. The woman described the little blonde girl, dressed in something which looked like an oldfashioned nightgown.Rumbling from a wagon is heard in the castle yard and the sound of horse hooves, attributed to a former bailiff who rides a horse with luminous red eyes. The white lady is walking around in the castle guarding her goods and gold. She is said to be fru Christiane Hoppe who lived from 1687 till 1769. She was the lady of the castle and the owner of a stutteri.



Mill House, Harridslevgaard slot/gb
The present owners , Inge Lise and Hermann Schimko, took over the castle in 1985 and made it open to the public. Harridslevgaard was rather dilapidated at that time, but after 15 years of restoration the castle looks like Breide Rantzau's pretty Renaissance castle. The buildings are now listed and each repair has to be done by appointment with the National Museum. Some details came up during the restoration -  in the red living room was a hatch in the bottom of a cupboard, under this a spiral staircase leading down to the dungeon and a secret passage, which was an escape way for the lord and lady in the Middle Ages.  The secret passage went 500 meters out into the field to Loddenhøj or Palnatokehøj where Palnatoke supposedly was buried. It was said that Palnatoke owned "Haræslef" in the first half of the 900s.

Palnatoke was a legendary hero from Funen who is mentioned in Saxo Grammaticus and in the Icelandic Jomsvikingernes saga. According to the last mentioned Palnatoke was the man who founded Jomsborg and created the laws, and also according to Jomsvikingernes saga he was a son of Palne Tokesen and his wife Ingeborg, a daughter of Otto Jarl. Palnatoke is possibly a historical person who was added a series of vandresagn.(walking legends)
Palnatoke was probably a nickname for Toke Pallesen (also: Toke Palnesen), another possibility is den polske Toke (the Polish Toke) or den polske tolk (the Polish interpreter). The name is not a usual Nordic name. 

(see my blog: Medieval Danish and European families for Toke Palnesen , Palne Tokesen and  Toke Trylle Palnesen, who was the father of Skjalm Hvide.)



Park, Harridslevgaard slot/gb
The family Schimko opened ten years ago the castle to the public by an arrangement and the interest from the public was overwhelming. Since then there have been permanent opening hours and arrangements like firm parties,conferences and weddings. People can rent historic lackeys uniforms for the servants and they can dance in Denmarks largest privately owned Knights Hall.

The old mill house lies at the driveway to Harridslevgaard. The manor is surrounded by a small park with pretty peacocks.

Each year Harridslevgaard has a Christmas market. The castle is by appointment open all year for tours of large groups. And it is possible to get married at the castle. The various rooms can be rented for conferences, meetings, weddings and dinner parties. 


Sources:
Danmarks slotte og herregårde , Niels Peter Stilling, Politiken, 1997, 
Slotte og herregårde i Danmark, Jytte Ortmann, 2000
www.harridslevgaard.dk 
Harritslevgaard, wikipedia


photo: grethe bachmann

photo mm: wikipedia


Monday, August 28, 2017

Allerslev church, Vordingborg Kommune, Sjælland


Allerslev kirke/ photo gb

Allerslev church is situated high in the village of Allerslev. The country road between Præstø and Mern runs past the church. South and west of the church are beautiful large lime trees. The church yard itself is also rather closely plant. The church is placed in a hilly terrain, where the village is surrounded by fields and the white-washed church is very visible in the pretty landscape and functions as a significant point of orientation. 

Allerslev church belonged in a period to king Christian V. who gave it to the queen's courtmaster-lady Sidsel Grubbe. The church had various owners during the centuries; three owners were Jungshoved, Engelholm and Oremandsgaard, before the church in 1914 was transferred to freehold.

Allerslev church has a Romanesque choir and nave with a late Romanesque extension, a late Gotic west tower, a sacristy north of the tower and a porch from the second half of the 1800s. The white-washed tiled church is built in limestone ashlars, while the tower is built in monk bricks. The choir has to the east and north a double bevell-edged plinth, while the possibly older nave to the south has a cornice frieze upon a bevell-edged plinth. The round arched northdoor stands since 1915 and in the east frame are two interesting runic inscriptions: "Jordan ristede runer; tyde dem, den som kan?" og "?Gyrth ristede sit navn på ? messe?"
Allerslev kirke/photo gb

The south door is vaguely visible. The choir had to the east and north some broad and low, now bricked-in windows, while none of the other light-openings of the nave are visible. In the late Roman period the nave was extended to the west and in the extension were placed two new doors, the north door seen inside with planks and the south door has been changed but is in use. In the late Gothic
period  was built in two cross vaults and the choir arch was changed. In late gothic period the choir had built in two cross vaults and the choir arch was changed. 



The nave has still  a flat ceiling. From the same period as the vault of the choir is the sacristy which is unusually large - and from the beginning it was equipped with a sadkle roof parallel with the saddle roof of the choir.  Upon the wall of the sacristy is a wall-cupboard from 1700s. Both church bells are late Gothic, probably cast by the same craftsman. The tower in monk bricks has belts of limestone  ashlars and the cross vault has a bottom room and a triangular tower arch and a stair-house in the southeast corner. A medieval gravestone was used twice ca 1630 and 1758. All the present windows are from 1868 and the neogothic porch somewhat younger.



Allerslev kirke/ wikipedia
Upon the bricked, plank-covered communion table stands an altarpiece in high Renaissance with painted year 1590, but it is possibly a little earlier, since the top field has Denmark's and Mecklenburg's coat of arms (the last for Frederik 2.'s queen Sofie.) The great field is divided in six and flanked by Corinthic pillars. The altarpiece looks like it was made by the socalled "Bårse herreds snedker" (joiner). The two bottom pilastres have logos with monograms HB, RH and TC. Upon the great pillars' postaments are small reliefs. The Chatecism-altarpiece was in 1988 restored, directed by church painter Erik Ring Hansen.
The pulpit is Renaissance from 1610 and carved at Abel Scrøders workshop in Næstved. Restored in 1935. The chalice from 1812 is an unusual shape, almost like an urn upon a shaft, surrounded by three hangers  and the contemporary wafer box functions as a lid. A neogothic altar jar is from 1861. The heavy baluster-shaped Renaissance candelabres from ab. 1625 have holes from disappeared feet. An unusual pretty young Gothic choir arch crucifix from the beginning of the 1300s is restored in 1935 with a new metal crown. The Romanesque, rather course granite font with leaf ornaments is related to the font in Køng kirke.
 
Upon the new upper pews are top pieces from the middle of the 1600s with angel heads. The angel heads upon the upper pews are carved ab. 1650 by an excellent master. In 1993 the artist Bodil Kaalund made an exciting new up-painting upon the other 19 top fields of the pews, she painted small motifs from known verses in Danish psalms. Allerslev kirke's Busch organ is from 1890. In connection to a restoration of the church in 1993 the gallery was decorated with three biblical motifs by Bodil Kaalund. 




Allerslev kirke/ photo gb


Source:  Beskrevne kirker i Danmark,  Allerslev kirke, Præstø .

photo: grethe bachmann

photo: wikipedia.

Sunday, July 30, 2017

Farsø church, Himmerland, Vesthimmerlands Kommune




Farsø Sogn is a parish in western Himmerland in Vesthimmerlands Kommune..Until the reform in 1970 it was in Gislum herred (Aalborg Amt). Farsø Kirke is situated in Farsø village 12 km west of the town Aars. The church was restored and had the walls replaced in 1991.


The church in Farsø was possibly inaugurated to Our Lady in the Middle Ages. The choir and nave are Romanesque in finely carved granite ashlars above a double plinth. Both original doors are preserved. The southdoor is bricked up. In front of the southdoor is a Romanesque grave stone. In the southern wall of the choir is a somewhat worn-out chess board ashlar. At the northern wall of the nave is a grave stone for Anne Cathrine Ørum of Farsø, who died in 1726, the grave stone is a re-used Romanesque profile ashlar, around the stone are several Romanesque building remains. The north door is still in use , here is a tympanum with a double lion like the lions on the baptismal font. In the porch is a rune stone; the inscription is: Toste og Esben rejste denne sten over Tue..... in the bottom of the stone is a Viking ship, maybe this is Nagelfar, the death ship in the Ragnarok-legend. (the Armageddon). The tower was built in the late Gothic period, the porch is from present time. Upon the new church yard is an obelisque-like stone, decorated with cross-shaped birds, carved by Erik Heide. 

Upon the church yard south of the church is a grave site for veterinarian Hans Jensen (died 1923) and his daughter, the author Thit Jensen (died 1957). Hans Jensen was the father of the author Johannes V. Jensen and Thit Jensen. Some years before her death Thit Jensen moved to Farsø and lived directly south of the church. Johannes V. Jensen is buried in Bispebjerg church yard in Copenhagen.


The Romanesque choir arch is preserved with a slant plinth. The choir has a beamed ceiling, the nave had a vault in the late Gothic period. The altar piece is from the late 1800s, the painting made in 1943. The original painting is now placed upon the church wall. The pulpit is from the beginning of the 1600s. The Romanesque granite font has double lions and male heads in strong reliefs.

Upon the triumph wall to the north hangs a crucifix, carved by Johannes Josephsen from Viborg in 1965, the figure is carved after the ivory crucitfix from ab. 1250 in Herlufsholms kirke. In the choir is an epitaph from 1651 for Søren Hanssøn Wiborg. A sculpture by Thorvald Odgaard hangs upon the southern wall of the nave from 2004. It shows the angel by the empty grave.


In Farsø is a museum for Johannes V. Jensen  and memorial rooms for Thit Jensen.


http://www.jensenmuseet.dk/


http://www.visitvesthimmerland.dk/thit-jensens-mindestue-gdk623594

Upon the nave was in 1904 revealed frescoes from the middle of the 1500s. The motifs were from the old and the new testament. The frescoes are attributed the Torum master and was paid by Poul Vognsen and wife Anne Hansdatter Bildt of Støtterup. (in the 1500s) The frescoes were washed over again. In 1989 some frescoes were revealed and restored in the first bay of the nave.

photos from wikipedia





Johannes V. Jensen:










Monday, December 19, 2016

Hinge Church, Mid Jutland, Silkeborg Kommune


Hinge Church, Hinge parish, 12 km north of Silkeborg
(earlier: Lysgård herred, Viborg amt).




Hinge church lies north of Hinge Sø at the village Hinge. The Romanesque sections of Hinge church: apse, choir and nave built in monk bricks are strongly marked by building-works. The church is one of the earliest brick-churches in Denmark, built in the middle of the 1200s, and possibly built by the monks from the nearby Alling Kloster. Time and weather have worn out the bricks -  the original bricks are most visibly seen in the eastern part of the church with a piece of  the original bevelled plinth and a bricked-up window in the apse. The tower was built in 1679 and restored in 1779, a restoration arranged by J.A. Fischer of Allinggård and Grauballegård. The bottom room of the tower functions as a porch, and the tower has a pyramid-spire with a weather vane(with year 1779). The tower is white-washed, while the rest is in blank wall with red tiled roofs.

The apse- and choir arch are rebated and have bevelled corbels. The nave had originally an open roof-stool, but ab. 1530 the church had built-in a flat beamed ceiling. At the same time the frescoes upon the triumph-wall were washed over, they were rediscovered in 1980 and restored in 1984. There are three friezes: the upper and best preserved frieze shows the Passion of Christ in six sections, the second frieze shows the Holy family and the Worship of the Kings, the third frieze shows Paulus. The frescoes were restored by the National Museum. In the frescoes is every violent scene framed . In the thorn-crowning the executioners use all their strength to place the thorn-crown upon the head of Christ. One executioner has a wooden leg, which underlines his negative character

At a restoration in 1952-53 the communion table and the altar rails were moved. The altarpiece is Renaissance, given by hr. Hans Sørensen in 1604, probably from the same workshop as the pulpit. Pewter candelabres, given in 1677 with initials P N S G above M I D. A Romanesque granite font with vertical rope-decoration on the basin and foot like the fonts of the Gødvad-group. A newer baptismal brass bowl and a baptismal pewter jar from ab. 1800. A newer metal crucifix hangs in the choir arch. The pulpit was given by hr. Hans Sørensen and wife Karine Melchiorsdatter, 1612, with 1700s label-paintings. The sounding board was given 1655 by hr. Christen Erichsen and wife Else Hansdatter (restored 1932). Renaissance pews . A small Baroque chandelier in the choir given by Mette Hermansen (+ 1918), two in the choir given 1927 by farmer Jakob Overby. A church bell, given 1761 by Chr. Fischer of Allinggård, cast in Viborg by Caspar König . Many grave memorials, epitaphs, stone tablets. Upon the north wall hangs an epitaph with two fields, paid for by Søren Michelsen (+1597) and wife and by Hans Sørensen (+ 1632) and wife. Hans Sørensen was a brother of the priest Erik Sørensen,  whom Steen Steensen Blicher described in his short story: "Præsten i Thorning". At the churchyard is a Romanesque granite grave stone with a relief cross, and a copy of the stone where Hans Tausen held his first Lutheran sermon. The original stone is now at Viborg Museum.







Frescoes, violent scenes from the Passion

Names in the Middle Ages and 1600s:
Hinge (1333 Hængy); Astrup (*1453 Astrup); Frausing (*1231 Fraxing); Hedehuse (1683 Astrup HeeHuus, 1688 Heed Huuset); Frausinggård (1552 Frausing gord).

The outlawed Peder Jacobsen owned ab. 1300 estate in Hinge. Torsten Mikkelsen of Hinge is mentioned in 1333.

In Hinge lived for many years a "klog mand" (healer), Mads Weis, + 1839, who achieved jus practicandi and established a kurhus (health resort) for people who suffered from leg injury etc.

Listed prehistorics: 3 hills, of which two are in the forest.
Demolished or destroyed: 10 hills.

In a meadow at Hinge Sø was found a large-tooth bone harpoon from early Stone Age, and in Vesterkær a wooden animal-trap, probably from prehistoric time.

Source: Trap Danmark, Viborg amt, 1962; Axel Bolvig, Danmarks Kalkmalerier, 2002.



photo Hinge kirke: grethe bachmann





 


Friday, December 16, 2016

Sindal Old Church, Vendsyssel, North Jutland


Sindal Old Church lies upon a hill in the eastern outskirt of Slotved skov. The earliest part of the church is from the 1100s. In the late Gothic period 3-400 years later the nave was extended to the west which got a stepped gable. The porch was built at approximately the same time. The choir is built in granite ashlars, while the nave mainly is in monk bricks. At the eastern gable are two heavy supporting pillars. The nave and choir have beamed ceilings. The beams in the choir are some of the earliest things in the church and therefore not overpainted.


A reliquary was found in the medieval bricked altar table. It is now at Hjørring Museum. The
granite baptismal font is probably as old as the church itself, the baptismal dish is made in Nürnberg in the 1500s. The crucifix at the northern wall and the candelabres upon the altar table are from before the reformation. The altar chalice was given by the last selvejerbonde (yeoman) of the parish, judge Lars Fus in Taagholt in 1577. The altarpiece is a simpe Renaissance work, the painting is by the Skagens-painter Michael Ancher, who has copied the Spanish court-painter Velasquez' painting "The Crucifixion".


The pulpit from ab. year 1600 has the coat of arms of Anne Krabbe and her two husbands Aksel Viffert and Jerck Kaas. The same coat of arms are seen upon some lord-of- the-manor stools in the back of the church. These stools are the rests of the former pews which was set up by the owner of Baggesvogn, Anne Krabbe. Upon another stool is seen the coat of arms of Sophie Sandberg and Enevold Kruse and the year 1636. Enevold Kruse was Lieutenant colonel and field commander under Christian IV, he was killed in the battle at Lutter am Barenberg in 1626, nine years later his widow bought Baggesvogn, to which Sindal church belonged.

In 1964 the church went through a thorough restoration, new pews were bought and a new organ (Frobenius), and some of the old pews from Anne Krabbe's time were moved to the west end of the church.


Upon the church yard is a bell frame with two bells ,the oldest is made by the caster Peder Lavridsen in 1566, the other with the names Claus Unger and Barbara Galt is from 1696. The church yard is surrounded by an ancient granite boulder dike to the north and south, which is unchanged, but to the east and west the dike has been moved out to make place for a larger church yard.

The vicarage lies south of the church yard , a very pretty timbered building with a thatched roof. The present vicarage was built in 1928 upon the plinth of an earlier vicarage. A section of the old vicarage was rebuilt in the museum-garden in Hjørring as a part of the museum.

source: "Sindal Gl. Kirke - en beskrivelse", udgivet af Sindal Menighedsråd, 2005


Baggesvogn manor, Vendsyssel, North Jutland




Baggesvogn /GB
Baggesvogn is a manor in Vendsyssel, North Jutland. It lies in Sindal parish, about 14 km northeast of the town Hjørring. The timbered three winged plan was built in 1744. The mid wing and the side wings were bricked in the second half of the 1800s. The yellow washed main building has hipped tile-roofs, and the western main wing's entrance is highlighted with a triangular gable attic above the door.


Under a part of the main building are vaulted cellars which are named medieval, but they more probably origin from the second half of the 1500s. On the north side of the building are kept sections of the old moat system.

landscape by Baggesvogn/GB
The original name of Baggesvogn was Vorn, which means forest. The manor lies upon an old embankment and is still surrounded by moats on the east, north and west side of the main building. The entrance to Baggesvogn is via a bricked up dam, about 20 meters long. The dam is on both sides flanked by a low, heavy wall with doghouses in both ends.  The castle yard if laid with piksten (oval naturestones). The moats, the dam, the doghouses and the castle yeard are all protected.
piksten in a yard./wikipedia

landscape by Baggesvogn /GB
The fine  hilly manor landscape south of Baggesvogn is protected including the beech wood Baggesvogn forest with 100 year old trees. It is the northernest beech wood in Denmark.


Baggesvogn /GB
Baggesvogn was mentioned in the year 1454, when the owner was Hatis Gjødesøn, and in 1458 Jes Ulfsøn was mentioned as the owner of "Worn". The farm probably changed owner quickly since rigsråd Anders Banner of Asdal is the owner in 1462. He transferred Baggesgogn as a vasalry to Hans Bagge after whom the manor got its present name. Usually a vasalry agreement demands the vasal to swear his feudal lord fidelity and pay him regular taxes. This was not the case between Banner and Hans Bagge, which probably was due to a family relation between them, but the agreement can also be seen as a sign of the Banner family's tremendous power and wealth at this time. They were so rich that the income from a vasalry did not play any important role.

The main estate of the Banner family was the North Jutland manor Asdal, but Baggesvogn stayed in their ownership for several generations. The manor was inherited from father to son up to Erik Banner, who was a rigsmarskal for Christian III (1503-1559). At Erik Banner's death in 1554 Iver Krabbe took over Baggesvogn. He was married to Erik Banner's daughter Magdalene Banner. They left only one heir, the daughter Anne Krabbe.



Anne Krabbe spent her last years at Baggesvogn. At her death in 1625 she left no heir, but a very large debt. Baggesvogn was taken over by one of the main creditors, Frank Gøye, who in 1635 sold the manor to Sophie Sandberg. She enlarged the estates of Baggesvogn and gathered the land around the main farm. She left it to her two unmarried daughters, (Anne and Birgitte Kruse) who continued their mother's work. In 1669 they gave land to a newly established Baggesvogn hospital. (closed in the 20th century).The sisters possibly tried to manage more than they could cope. After Anne Kruse's death Birgitte Kruse had,because of debt, to assign Baggesvogn to Frederik Vind in 1692.




Baggesvogns history from 1700s till 1900s is marked by frequent ownerships, often because of a bad economy.

In 1997 Baggesvogn was sold to Ole T. Krogsgaard who stille owned it in 2013.