Sunday, June 15, 2014

Gunderup church/ Gunderup kirke, Fleskum herred, Aalborg amt.






















Gunderup church, ( the name in 1355 Gundorp), lies 13 km south of Aalborg. It is a large building with Romanesque choir and nave and late Gothic additions, among others a chapel with frescoes from the beginning of the 1500s. The church lies desolate in Gunderup village. It was by people called Himmerland's cathedral, both because of its size, but also because of its central situation as a crossroad-church in a large parish. The Romanesque choir and nave are built in granite ashlars above a bevelled plinth. Both doors are kept, the south door is bricked, the north door still in use. The north door has profiled corbels, it is curved outside and straight edged finish inside, in the treshold stone is carved a cross. In the southwall of the choir is a bricked door with a heavy rundstav (round stick) which in the bottom rests profiled bell-like bases. In the south wall of the church is an ashlar with a hand holding a key, probably a symbol of Sanct Peter. At the south side of the nave is a cross arms-chapel,  a sacristy to the north, tower and porch are built in the late Gothic period.


 
















Runestones
In the porch are two runestones with inscriptions:

a) Toke rejste disse stene og gjorde disse kumler efter sin måg Api en velbyrdig thegn og sin moder Tove. De ligger begge i denne høj. Api undte Toke sit gods efter sig. (" Toke raised these stones and made these memorials after his stepfather Api, a noble-born man (thegn) and his mother Tove.They both lie in this hill. Api gave his goods to Toke.") The hill was demolished in the 1700s, but the stone was saved by Gunderup's parish priest.


 b) "Østen satte denne sten efter sin fader Asulv". ("Østen raised this stone after his father Asulv."
This other stone is  probably from Sweden according to several Swedish runes in the short inscription. It is dated to the 800s.

The building was restored in 1914.
 




Interior
The high choir arch is kept with profiled corbel bands and a corniche plint. In the late Gothic period the choir and nave got a cross vault. Between nave and south chapel are two point-arched arcades. The stairs to the pulpit are built through the arcade pillar. The altarpiece is a Lutheranian triptychon from 1537-38 and the earliest Lutheranian altarpiece in Denmark. The pulpit is also a great rarity . It is from the 1790s and one of few classical pulpits in Denmark.

Unique lion font.
The Romanesque granite font has double lions with intertwined tails upon the basin. It is of the Himmerland-Mariager type. Together with the font in Stenild church at Hobro the font in Gunderup is the most magnificent of its kind. 

























 Frescoes
In 1930 frescoes were uncovered from the late Gothic period in the south chapel. Upon the arcade pillar is Mary seen in solgissel, (sunbeams) in the curve is Christoffer. In the vaults are other biblical motifs. The frescoes were conserved by E. Lind. Some coat of arms for Rod and Vårst were not preserved. The frescoes are dated ab. 1500, the style is mannered and the composition is messy.




photo: Google earth and wikipedia. 

Thursday, May 15, 2014

Tyrsted church/ Tyrsted kirke, Vejle amt









photo: Google Earth







Tyrsted kirke, Hatting herred, Vejle amt.



Tyrsted church lies about 300 meter south of Tyrsted village - in 65 meter's height  upon a big slope which goes down to Horsens Fjord. The church was always solely situated and visible in the landscape. The village is now urban area, but the church has kept its free location  - and from the church yard is still a view of the landscape. The church yard is surrounded by double, grassy granite boulder dikes. The old main entrance is a driving gate to the east. The present entrance is a port with a gate from ab. 1900, closed by iron grating wings between tiled pillars in red bricks.


The church was heavily restored in 1866 and later in the 1800s. Later changes and additions are all in monk bricks. A cornice of yellow bricks has been added under the roof which was raised in 1866. Tyrsted church was restored again in 1994. The floors in the church are square with yellow and grey tiles from 1866-67, in the choir they were re-newed in 1994 with pink tiles. The roof is tiled, except the choir has a leaden roof . The church was in 1986 given a colour scheme when the furnishings became a green background colour, supplemented with red, black, white and a little blue.

The church walls are raised upon a low, but strongly eroded plinth in calcareous tufa, which is visible to the north and east, but else is covered by the terrain. The northdoor is engulfed in a large round-arched opening, the bricked southdoor is only vaguely traceable under the westernest window of the nave.

The church is a Romanesque building of calcareous tufa, consisting of choir and nave. The masonry is rather disturbed, original details are the round-arched windows which have stood since 1903 as exterior niches.

Around 1500s a tower was added and a porch in the north, and at the same time vaulting was built in the choir and the nave. In the choir is one and in the nave three cross vaults.

The heavy tower is almost as broad as the church, it has four storeys -  the middle storey is divided in two - the old masonry is kept to the north, partly also to the east, while the other facades are face-walled with monk bricks in 1866-67. The tower room is conncected to the church in a  broad pointed arcade. There is access to the upper storeys via a staircase in the northern wall .
 
The porch has in the gable kept parts of a late Gothic glare decoration. In the porch is walled-in a tombstone for the pilgrim Peter Kæller (the 1300s) -  and the church is by many used as the start of a pilgrimage to Santiago de Compostella. It is possible to visit the church in the day hours - or else by appointment with the church office. The pilgrim stone is Gotland limestone - and it has a beautifully carved figure of the pilgrim Peter Kæller. .



Inventory.
 
The only thing contemporary with the building is the simple Romanesque granite font. A south German baptismal dish is  from ab. 1550, but only came to the church after 1700. The altar candlesticks were donated in 1693 by Anna Maria von Offenberg, countess of Frijsenborg. Almost all remaining furnishings came with a radical restoration around 1866-67. This applies to the neo-Gothic altarpiece, the altar rail, a crucifix, the pews and the hymn boards. The altar plate from 1911 was supplied by Rasmus Jensen, Horsens and bears the donor's inscription of the church-owner, count Mogens Krag-Juel-Vind-Frijs.

A wafer with the mark Sterling from 1986. An armchair for the priest from 1886 in the choir. Three chandeliers from 1913 in Baroque style 1913.

A church bell, cast 1895 by Jørgen Stallknecht, Horsens. A bell from 1425-50 has casting mark for N. Eskildsen. It is now in the National  Museum.


Gravestone ab. 1620 for Rasmus Hansøn, priest and parson, with his dear wife Karen Iensdatter.
Some cast iron crosses in the church yard from the 1700-1800s. 



 Source: Danmarks Kirker, National Museum.

Friday, May 09, 2014

Gangsted church/ Gangsted kirke, Voer herred, Aarhus amt.






                                                                              

West of the village lies Gangsted church in a low rise in a highplaced open agricultural land in the central section of Voer herred. The churchyard is surrounded by a granite boulder dike. In the western side of the churchyard is a burial chamber from 1948. Earlier was a church barn northwest of the tower. 


Gangsted church has a Romanesque choir and nave. It is built in  rough-carved granite ashlars upon a bevelled plinth. Inside the church are fieldstone-walls and a few ashlars in the west-end of the nave. The north door and some windows are bricked, and outside the south door was in the Middle Ages built a porch in granite and half-timber. A bricked bench is kept in the room of the porch.

Both doors have very impressive rectangular lintels. One early window is kept in the north side of the choir and another re-opened in 1900. At the gable of the porch is a lintel in grey-red granite. The tower is Late Gothic in monk bricks and re-used granite ashlars, and it has a  pyramid roof and a weather vane from 1782  (1893?)with initials I S C M I.  The tower had originally stepped gables north-south. The northwest corner of the tower rests upon a large fieldstone with marks after the stonemason's chisel.

Inside the church has the nave a flat ceiling, and the choir and tower are overvaulted since the Late Gothic period.The church had main reparations in 1794,1807, 1832 and a large restoration in the middle of the 1980s. The floor got black-greywhite tiles in 1907. In 1987-88 were found fragments of frescoes made after the Middle Ages (black drapery) In 1932 a glass painting was made in the west of the tower room.






                                                                             
Interior:
The altarpiece is Baroque ab. 1600, a carved work, given by Gedske Lucasdatter. A lightning in the church 1894 damaged the altarpiece which got a new painting in the big field in 1895, a copy of Carl Bloch's "Julenat" (Christmas Night). The pulpit is new, from ab. 1800 in oak and with painted figures, the granite font is Romanesque with  lion figures and foliage. (Horsens-type).


Parking place reserved the church singer and the priest.
                                                                                                                                                       
 A brass money box, a bell from 1837 cast by Carl Frederik Weiss, Horsens   A memory tablet from 1695 with the names Bertel Fædder, Laurits Friis and their wife Gedske Lucasdatter (+ 1695). A memory tablet over 2 killed soldiers from 1864. A coffin crucifix from 1650-1700.  3 cast iron crosses from 1854 in church yard. .











Tyrrestrup see blog:  Søvind church , owner today: Jens Harder




 source: Danmarks Kirker. National Museet.

photo: grethe bachmann 
+ Google Earth.



Thursday, March 13, 2014

Kousted church/ Kousted kirke, Nørhald herred, Randers amt.





The south door















 


Kousted church has a nave and a choir from the Romanesque period in granite ashlars upon a bevelled plinth, a tower to the west and a porch to the south. The granite choir arch and several windows to the north are kept. The south door inside the porch has a tympanum with a ribbon bow and cubic Capitals. The north door is bricked up. The nave and choir got vaults in the late Middle Ages and the tower was built in granite ashlars in the same period like the porch, which is in bricks. The tower room is not connected to the nave. In the east wall of the porch is a holy water vessel in a niche, (it was originally a corn-crushing stone from prehistoric time)


Upon the wall of the northside of the church is the relief of a lion turning upside-down. 








The niche



Klingpung





The altarpiece is new, a pretty patchworck. The pulpit is Renaissance (has been restored. ). A granite font with lion figures. In the porch tombstones for the priests Jens Brasch (+ 1654), and P. Brasch (+ 1683), a lesser stone for the first mentioned and a tombstone from early Middle Ages with cross and foliage.

The klingpung is a purse which was used for collection of money during church service.
 
The yellow house is an old school building. 
























There was probably a manor in the parish called Stensgaard, its situation is still traceable in the meadow south of Kousted village, the name Stensgaard is also kept for an old farm in the village.

There is no information about prehistorics in the parish,


source: Runeberg / 1898-1906/ Kongeriget Danmark/ J.Trap/ 3 udg. 4 bd./ Hjørring, Thisted, Aalborg, Viborg , Randers Amter. 

photo: GB



Thursday, January 23, 2014

Vester church/ Vester kirke, Nørvang herred, Vejle amt.


Vester church, photo gb
Vester church has a Romanesque choir and nave with a tower to the west from 1917. The Romanesque building is in granite ashlars and raw boulders upon a beveled-edge plinth - and from original details is the north door, which is out-bricked with a modern window and a plastered lintel, while the south door, which was bricked-up in 1917, is vaguely visible. The north side has kept its low, rather highly placed round-arched windows, one upon the choir, two upon the nave,while the east window of the choir is  bricked-up in the lighting. The round choir arch stands inside with simple framestone, and both nave and choir have beamed ceilings. In 1913 was at the west end of the building built a small tower with glare-decorated walls and a pyramid roof. The bottom room functions as a front hall,  and a porch at the southside of the nave was removed. The church is whitewashed on the south and east side, upon the north side only the upper third of the walls is whitewashed. The church has a modern tiled roof.


Interior: The altarpiece is a painting from ab. 1915 by J.Skovgaard. A chalice from ab. 1850 with stamp: Lind (Horsens). An oval wafer box, made by J.R. Hofgrefe, Vejle. Balustershaped ore candelabres. ab. 1625. Very little, well carved late Gothic choir arch crucifix. A Romanesque granite font, a rather primitive work with vaguely sketched sepals and double rope sticks upon the basin. The foot is shaped like a cubic capital. A south German dish ab. 1550-75. A pulpit in Art Noveau was ab. 1915 given by Niels Jensen and wife, Højby. The earlier pulpit, a simple joinery from the beginning of the 1800s, lies upon the attic. ( 1964) Bell 1833, I.C and H.Gamst.

Rørbæk Hovedgaard, 2009,

photo: gb.
Rørbæk Per Marqvardsen in Rørbæk is mentioned 1487 and 1490, but he was probably not nobility; in 1542 and 1549 R. belonged to Hans Johansen (Lindenov) of Fovslet (+ 1568), in 1561 to his brother  Anders Hansen (Lindenov)( + 1562) and thereafter to A.H.'s daughter Else Lindenov (+ 1613), m. to Absalon Gøye  (+ 1602); her heirs took in common over her estate, but wanted an exchange in 1621; latest from 1630 the farm belonged to Erik Bille of Kærsgård , after whose death 1641 there was a feud about the inheritance.  In 1642 R. belonged to Levin Bülow (+ childless 1657), then to Mogens Høegh (Banner)( + 1659), whereafter it was inherited by Valdemar Skram of Todbøl and Otte Krafse of Egholm. The last mentioned's half came before 1662 to Steffen Rohde's heirs, who in 1667 outbought Valdemar Skram. In 1713 R. was on an auction after Franz Rohde (+ same year) sold to lieutenant Sejer Sejersen  (+ 1715), from whom it came to his brother captain-lieutenant Johan Jakob Sejer (+ 1727) .
Later owners: Peder Simonsen Schiønning, N. Karstoft, Jens Jørgen Bredal of Hammergård, Jean de Trappaud, Arnt Peter Engwari at Havhus, Johan Jakob Sejer, Christen Christensen in Egholm Mill, Søren and Anders Holst, Nikolaj C. Sveistrup, N.A.J. Thyregod, Inger Eriksdatter , J.N. Thyregod, Jakob Helms, Jens Nielsen, Den jyske kreditforening, Iver Hansen Nielsen, Niels Jensen. J. Jensen, H. Ørnsholt Jensen ( in 1964).

Rørbæk Hovedgaard at present: 
Niels Jensen and his descendants are those who have owned Rørbæk for the longest period, from 1902-1991, almost 100 years. In 1991 Niels Jensens descendants sold the farm to Aage V. Jensens Fond, who in 2002 sold Rørbæk Hovedgaard to the family Olesen.

Risager was in 1542 owned by Birgitte Rostrup, in 1574 by her brother's son Hans Rostrup, in 1589 by Bertel Holck of Højgård, in 1606 probably by Karen Viffert, widow after Timme Rosenkrantz of Rydhave. In 1633 Abel Bryske sold it to Christoffer Gersdorff. In 1662 it was owned by Karen Dyre of Knivholt, who in 1666 deeded it with mill and some estate to her son-in-law Jochum Nordmand of Dubnitz, whose wife Birgitte Arenfeldt still in 1677 is mentioned of R., although it in 1675 by Claus Dyre of Sindinggård was deeded to Anders Rohde of Bajlumgård; in 1714 Albert Sejer's widow died at R. and in 1716 Johan Jakob Sejer of Rørbæk lived here; in 1773 R. was a peasant-farm under Rørbæk.

Rørbæk sø 2009, photo: gb






















In the lake of Rørbæk sø, Kulsø and Nedersø is a good stock of pike and bream. At Rørbæk sø is a put and take.

Castle bank ? Upon a leveled eastern end of a bank, originally surrounded by water near the southside of Rørbæk sø, a little northeast of Rørbæk, the farm's earlier place is pointed out. Here is seen a cellar room of raw granite boulder , ab. 13 x 5 m. On this place and upon the small plateau on the nearby land are seen brick pieces. A plank bridge, from which poles were removed in the 1920s, led across the now dried part of the lake to the solid land,  where also were brick pieces upon a small plateau.

By Rørbæk was a farm Stovgård (1543 Stofvegaard).   

Listed prehistorics: 18 hills, of which Kongenshøj at Vesterlund is large, but somewhat digged.
Demolished or destroyed: 74 hills. 

At Vester mølle (mill) is a settlement from Gudenåkulturen.

Names from the Middle Ages  and 1600s: Vester Kirke (1291 Wæstærth); Vesterlund (1419 Vester Lundt); Lindet (1461 Lindued); Skovsbøl (1456 Skousbøll); Risager (1291 Wæstær Risæ, 1638 Risagger); Rørbæk (1471 Rørbech, 1487 Rørbæk); Vester Mølle (1664 Vester Mølle)

.
Source: Trap Danmark, Vejle amt, 1964.
photo 2009: grethe bachmann








Wednesday, January 22, 2014

Taulov Church/ Taulov kirke, Elbo herred, Vejle amt.



Taulov church, Google earth.
Taulov Church
The large whitewashed church in Taulov has a Romanesque choir and nave with a late Gothic tower to the west  and a porch to the south . At the east side of the choir is a strange, almost circular burial chapel from 1581. The Romanesque building is built in granite ashlars upon a double plinth, incomplete attic above a beveled edge. The southdoor, which is in use, has two columns, one octagonal with cubic caspitals and bases. Upon one corbel is a primitive lion-relief and upon the base of the opposite column is a figure and a male head . The north door is bricked-up. In the north wall of the nave is a round-arched window, bricked up in the wall run - and in the Koldinghus Museum is a window lintel with a warrior, carrying a shield and a sword. An ashlar with a male head is inserted in a stone bench in the porch. The choir and nave have flat-plastered ceilings, the choir has a simple stuccato decoration. In the late Gothic period the heavy tower was built, which crossvaulted bottom room opens towards the nave in a round tower arch. It has on the north side a bricked-up flatcurved opening from free stairs to the middle storey. The upper section with stepped gables, east-west, is very re-bricked (like in 1863 and 1868) when the other part of the building got its cornices, and in 1950. The porch is also a late Gothic addition in yellow monk bricks. The stepped gable has a glare decoration with six round-arched high-glares flanked by circular glares and above some beveled brick-shifts. The porch has tiled roofs like the choir, nave and tower. In 1581 jomfru Berete Rosenkramtz let the strange, almost circular burial chapel build east of the choir. It is built in red monk bricks upon a beveled edge plinth in granite ashlars and has a high cone roof with lead thatching. The room is inside with a cross vault. Upon the east side are two square stones with Berete Rosenkrantz' paternal and maternal coat of arms. The chapel is now furnished as a priest room (source 1964), but earlier while it was a burial chapel, it was divided from the choir by a wrought iron gate from 1758.

Taulov church, Google earth.

The communion table is covered in a marble-painted panel from ab. 1590. The altarpiece is a carved work in bruskbarok (cartilage Baroque) from 1683, now completely cleansed. In a niche in the main field is inserted a plaster copy of Thorvaldsen's Christ-figure. Heavy baluster-shaped candelabres, given 1636 by Hans Jensen in Holum. Large, well-carved choir-arch crucifix from the beginning of the 1500s. A Romanesque granite font with arcade-decorations upon the basin. Very worn south German dish, ab, 1575. A pulpit from the same time and by the same craftsman as the altarpiece with Evangelist figures after Thorvaldsen. It was repaired 1889. A fourmaster ship from present time "Queen Margaret". Bell 1876 P. Meilstrup. The older bell was by Clavs v. Dam 1643.
Epitaph for F.C. Bredahl, Søholm, put up 1729. Gravestone 1581 for Sidsel Rosenkrantz ( +1557),and jomfru Berete Rosenkrantz, a figure stone with widow and jomfru. A stone for the first Lutheranian priest in the parish, Bertil Iversen was in 1914 given to the Thaulow Museum at Norsk Folkemuseum in Oslo.



Søholm belonged to Ribe bishopric, but came during the reformation to the Crown, in 1547 it was endowed to Else Thott, widow after Claus Krummedige. After her death in 1550 S. was laid under Koldinghus and was inhabited before 1577 by herredsfoged Claus Hønborg, whose wife 1588 who was instructed to keep order in the king's chamber and see to that he got the supplies he was used to.  In 1662 the farm was desolate, in 1766 the Crown sold S. to Iver Hansen.  

Hønborg (1369 Hønæborigh,1429 Hønburgh) was earlier a royal castle. Known vasals were: Peder Iversen Lykke 1369; Gotschalck? Skarpenberg 1377; hr Folmer Mortensen (Gyrstinge) 1445; Peder Brockenhuus 1487; hr. Claus Krummedige 1493; hr Thomas Nielsen (Lange) m. to the previous' widow, 1504 and 1520, his stepson hr Erik Krummedige (+ 1541) and his widow Sidsel Rosenkrantz (+ 1557), whereafter the estate was withdrawn and laid under Koldinghus vasalry. It was from Hønborg Christian II - after having  received the aristocracy's resignation Letter - let himself ferry to Middeelfart several times. The castle was destroyed by the peasant during the grevefejden (civil war) and again during the Thirty Year's War by Wallenstein's troups.

Skærbæk Marina and Skærbækværket(background)
Skærbækværket was built 1946-50. Via Elsam it cooperates with 5 other værker in Jutland and Fyn and with Germany and Sweden.

In 1629 Chr IV had plans about moving to Kolding town and castle.

Northwest of Skærbæk village was a sacred spring Korskilde or Rands kilde.   

At Gudsø were battles in 1849 when the Danes after an energetic fight against a superior enemy withdrew to Fredericia.

At Taulov station was in 1946 raised a memorial for 3 freedom fighters: E. Månsson, K.G.Kolding and H. Jacobsen, executed by the Germans in 1945. In Skærbæk was in 1955 raised a memorial for 3 drowned fishermen.

The old timbered vicarage in Taulov from 1840 was broken down in 1963, the stable- building was rebuilt at the Open Air Museum, Sorgenfri. (Zealand)

Towards Lillebælt upon a meadowland lies between high banks the significant medieval Hakenør Voldsted  (Hønborg slot), an almost square castle bank with round corners and steep banks. The castle bank was surrounded by a ring moat with an outer dam. Both sections are very leveled,  probably with earth from the bank, which sides seem cut off. The top surface was cultivated even in the 20th century. Upon the castle bank are brick pieces, also upon the landtongue stretching out towards the bank are brick pieces. Here was probably a building in addition to the castle itself. Upon the Koldinghus Museum and the National Museum are kept several pieces findings from the castle bank.

At Hønborg castle bank were in 1858-1910 found 81 spread coins, earliest from Erik Klipping; most of the coins from Erik of Pommern's time.

Taulov, landscape, Google earth.
The village Taulov Nebel (1569 Tavlo Nøbel) grew together with Taulow Stationsby, and the name is not used anymore.

Listed prehistorics: four hills, two in Tårup skov, one hill west of Tårup ir rather big but pre-digged.

Demolhsed or Destroyed: 67 hills,of which most in the southern half of the parish, In 1638 is mentioned a stone-encircled giant grave in Børup skov.

Names from the Middle Ages and 1600s: Taulov (1330 Taflygh, 1396 Tafloghe); Skærbæk (1436 Skerbek); Tårup (1479 Torduph, 1532 Tordop); Børup (1502 Børup); Studsdal (1664 Studtzdall); Oddersted (1578 Odersted); Børup Sande (1590 Børup Sand); Gudsø (1524 Gutzwiig); Søholm (1524 Sioholm).



Source: Trap Danmark, Vejle amt, 1964.
photo: Google earth.  
    











Monday, January 20, 2014

Jerlev church/ Jerlev kirke, Jerlev herred, Vejle amt.



Jerlev church (Google earth)
Jerlev church has a nave and choir from the Romanesque period, a late Gothic tower to the west and a newer porch to the south. The Romanesque church is in travertine upon a profiled granite plinth, while the walls are extensively repaired with large and small bricks. The choir gable is bricked with monk bricks. Upon the north side of the nave are rests of a facade decoration with lesens. The round arched north door and a couple of original windows are bricked-up, while the south door is extended. In the choir was in the late Middle Ages built an octagonal rib vault; the nave has a flat ceiling. The low tower in monk bricks from a relocated socket is to the south and west bricked with small bricks (in the gable is the year 1851). The tower room with a broad round arch towards the nave has large flatcurved niches and a vault like the choir's. The porch is in small bricks. In the choir arch was in 1932 found a frescoe decoration  from the end of the Middle Ages (restored in 1946).


The altarpiece is from 1944 with painting by Ole Søndergaard. The earlier altarpiece from 1678 with a painting from 1842 is deposited in Vejle Museum. The altar candelabres were given by Nis Ibsen in Jerlev (+ 1601) and wife (+ 1608). A Romanesque granite font with a smooth basin. A strange choir arch crucifix from ab. 1250  ( the Christ figure stands upon the globe); it is kept in the National Museum (source 1964). A pulpit in Renaissance from 1626 with paintings from the 1700s and decoration from 1932. A tablet informs that the pulpit was given and paid by Morten Bundesen in Jerlev and wife in return for his parents' and his and his wife's burial place in the church. The pews were re-newed in 1932. A small iron-bound money block. A bell from 1400s with Latin minuskel inscription ("this bell is cast in Jerlev"); it was re-cast in 1914.


landscape, Mejsling, (Google earth)
Jerlevgård was in 1837 bought by Jonas Casimir Ingwersen of Viufgård. He sold it the next year and in ab. 1840 it belonged to Risom, in 1842 to Andr. Kock, who in 1860 sold it to H.Lütjens from Altona, who in 1867 sold it to Jesper P. Berg. Other owners: Søren Eskildsen; H.K. Tingleff.; Boye, S.M.Salling, Raun and Albertsen, A.P.Eriksen of Agersbøl, V. Holste, J. Smith, T. Thellefsen, who sold it in 1948 to Johannes Larsen.

Hr Svend Bonde and hr Jens Basse deeded 1289 their estate in Jerlev Skov to the bishop in Ribe.

At Tvedgård near the parish border to Nr. Vilstrup in Skibet parish was a village Holbøl (1400 Hoolbyl).

There are no listed prehistorics in the parish, but there were 18 hills, 4 of these lay in a row south of Jerlev, 7 were more spread west of the village and 4 north of the village.

In a moor at Mejsling were found 130 amber pearls.


Names from the Middle Ages and 1600s: Jerlev (1248 Jarløf); Mejsling (1454 Meslingh); Tvedgård (1610 Tueed).



Source: Trap Danmark, Vejle amt, 1964.   
photo: Google earth.